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Artists --- Rubens, Peter Paul, --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo,
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Mondialement célèbre pour ses nus sensuels, aux formes généreuses, Pierre Paul Rubens (1577-1640), était un artiste dont la préoccupation première était la sensualité. Ce maître baroque, célébrera toute sa vie les plaisirs et l'émerveillement que procure le corps. Il estimait que le corps humain était tout aussi naturel que les nombreux paysages qu'il peignait lorsqu'il était jeune. Dans ce texte brillamment illustré, María Varshavskaya et Xenia Yegorova observent le maître au travail, mettant l'accent de manière unique sur la vie et l'œuvre de Rubens.
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Rubens' work radiates energy and depicts a vertiginous perception of the pleasures of life. The bright colours and limitless imagination glorify the world in all its splendour.Rubens has a profound influence on subsequent painters: his heroic ideals are reflected in Antoine Watteu's chivalric scenes and the hunting scenes in Eugène Delacroix's works; his laudable paintings of the beauty of the female form evoke Auguste Renoir's nudes.
Art, Baroque --- Baroque art --- Rubens, Peter Paul, --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Criticism and interpretation. --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo,
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Universally celebrated for his rosy and concupiscent nudes, Peter Paul Rubens (1577-1640) was an artist whose first concern was sensuality in all its forms. This Baroque master devoted himself to a lifelong celebration of the joys and wonders of the physical realm. He felt that the human body was as lovely and natural as the many natural landscapes he painted as a young man. In a lushly illustrated text, María Varshavskaya and Xenia Yegorova explore the master at work, bringing a unique focus to Ruben's life and work
Art, Baroque --- Baroque art --- Rubens, Peter Paul, --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Criticism and interpretation. --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo,
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biographies [documents] --- Rubens, Peter Paul --- Rubens, Pierre Paul --- Rubens, Pieter Paul --- Painters --- Rubens, Peter Paul, --- 75 RUBENS, PIETER-PAUL --- C3 --- schilderkunst --- kunstenaars --- C6 --- kunstwetenschap --- nieuwe tijd (x) --- iconografisch materiaal --- #GGSB: Kunst --- #GGSB: Kunst (cataloog tentoonstelling) --- 736.5 --- Pieter Paul Rubens --- #gsdbA --- Schilderkunst--RUBENS, PIETER-PAUL --- Kunst en cultuur --- Opvoeding, onderwijs, wetenschap --- 75 RUBENS, PIETER-PAUL Schilderkunst--RUBENS, PIETER-PAUL --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Painters. --- Rubens, Peter Paul. --- Belgium. --- Kunst --- Kunst (cataloog tentoonstelling) --- 790 --- Nederlanden 17de eeuw --- schilderkunst 17de eeuw --- artistes --- biographies [literary works]
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Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist's best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens's lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity.
Women in art --- Human figure in art --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Rubens, Peter Paul, --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Criticism and interpretation. --- women [female humans] --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- schilderkunst --- vrouwelijke kunstenaars --- 17de eeuw --- Zuidelijke Nederlanden --- Women in art. --- Human figure in art. --- Rubens, Counter Reformation, Gender, Baroque, Flemish art. --- schilderkunst. --- vrouwelijke kunstenaars. --- Rubens, Peter Paul. --- 17de eeuw. --- Zuidelijke Nederlanden.
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Le présent ouvrage qui reprend partiellement la thèse de doctorat de l’auteur, Peter Paul Rubens et la France 1600-1715 soutenue en 2002, étudie les rapports riches et complexes qui s’établirent entre le peintre flamand et la France d’Henri iv et de Louis xiii. Des premiers contacts noués à l’occasion du voyage entrepris par l’artiste vers l’Italie au printemps 1600 jusqu’à sa mort, à Anvers, en 1640 sont successivement abordées la question des relations entre Rubens et ses différents « patrons » français et celle des conséquences des activités diplomatiques de l’artiste sur sa carrière française. À travers le regard de Rubens et le regard porté sur Rubens peintre et décorateur génial, concepteur de la Galerie Médicis, érudit, diplomate et courtisan, se dégage un portrait riche, foisonnant et parfois inattendu de la France des arts, des lettres et de la politique sous Louis xiii.Ce travail qui fait date par son ampleur, s’accompagne d’une analyse très complète de ce qu’il est convenu d’appeler la « réception » de Rubens et de son œuvre dans notre pays entre 1600 et 1640, à travers une étude de sa fortune critique, de la diffusion de son art par l’estampe, des premiers collectionneurs des tableaux et esquisses du maître en France et enfin de « l’influence » exercée par la peinture de Rubens sur ses collègues français.
Arts & Humanities --- art --- peinture --- Rubens diplomaat --- Rubens, Peter Paul --- France
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Painting --- prentenboeken (genre) --- schilderkunst --- Rubens, Peter Paul --- Schilderkunst --- Barok --- 16e eeuw --- 17e eeuw --- België --- Vanaf 8 jaar --- C3 --- kinderen --- prentenboek --- 750 )* SCHILDERKUNST --- Rubens --- Schilders, Kunst --- Rubens, Pieter-Paul --- 736.5 --- Pieter Paul Rubens --- Kunst en cultuur --- Tekenkunst
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Wallace Stevens, Poetry, and France offers the first book-length study of the various effects–poetic or prosaic, serious or comic, strange or familiar–produced by the deployment of French languages and cultures in Stevens’ poetry. Prominent Stevens scholars reexamine here a number of key issues, from angles as diverse as translation studies, aesthetics, linguistics, comparative literature, French theory, and politics, raised by Stevens’ special relation to France around the writing of poetry.
figures [representations] --- Théorie de la figure humaine --- physiognomy --- pattern books --- Rubens, Peter Paul --- Aveline, Pierre --- Aesthetics of art --- Human figure in art --- Rubens, Peter Paul, --- Aesthetics --- human figures [visual works] --- Anatomy, Artistic --- Proportion (Art) --- Early works to 1800 --- Human figure in art - Early works to 1800 --- Anatomy, Artistic - Early works to 1800 --- Proportion (Art) - Early works to 1800 --- Rubens, Peter Paul, - 1577-1640 - Aesthetics --- Aesthetics. --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Figure drawing --- Figure painting --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- poetry --- Wallace Stevens and France --- translation and aesthetics --- Morphopsychologie --- Visage dans l'art --- Rubens, Peter Paul, - 1577-1640
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